Compare and Contrast Essay Examples

Compare and Contrast Essay ExamplesThere are two kinds of essay examples - sample essays, which are very good, and comparison essays, which are not so good. If you have to choose between the two, there is no sure-fire choice. There are only some things that you can do in order to use both types of essays.The first thing that you need to do is to get yourself a good and very nice example essay. If you are doing a comparative essay, then you need to get a sample that is written by someone who is an expert on the subject. If you have done a comparative essay yourself, then you probably know how hard it is to find a good example from someone who knows what he or she is talking about. Reading someone else's example gives you the confidence that you will be able to write your own, and gives you a better idea of what you have to do to create a good, original example.Now, once you have a great example, you should compare and contrast. This is a very important step that is essential to your s uccess. You need to do all you can to see what kind of differences exist between the sample you have and the one you have to write. If you compare and contrast, you will also notice that not everything you wrote looks like the sample.You may have noticed something or another that does not look like the sample. It is possible that you might be tempted to change a word here and there, but that might just be too much for your writing style. For that reason, you should give yourself enough time to write a really good example and compare and contrast it to the sample. Then you can start making your changes and additions to it.One thing you can do if you are trying to write a good example is to read it out loud. See if you notice any changes that you made, and what it was that you changed. In this way, you will not only be able to see what you wrote and what you did to it, but you will also be able to improve your own writing style. If you do it right, you will find yourself re-writing yo ur examples every time you write an essay. That is no fun at all, and is never a good idea.Do not forget to compare and contrast with all your examples. You need to be very careful. Too much comparison and too little thinking make no sense. You need to spend as much time as you need to think about what exactly you have to change and what you have to add to it. If you have given yourself enough time, then it will not matter that you are doing comparison and contrast because you will still come up with great examples.Using good essay examples will definitely help you when you are trying to write an essay. These examples will give you ideas, provide you with the confidence that you need to write the right kind of essay, and help you learn to find the best parts of any topic. This is a very good start to learn how to write an excellent essay.

Analysis Of The Movie The Wolf - 990 Words

Lexi froze in place as she heard the wolf in the alleyway growling at her. She had almost forgotten about him while facing the wolf guarding the entrance of the alleyway. She looked over at him slowly, scared to make any sudden movements in case they would find it threatening and pounce on her. But, despite her cautious movements, her nightmares still came to life. She suddenly felt razor sharp teeth sink into her arm. It felt like her bones were being flattened and that her arm would snap in half. Lexi let out an ear shattering scream as the pain radiated through her body and she nearly blacked out. She looked forward toward the large wolf guarding the entrance. He seemed to be smirking in glee at her painful struggles to break free from the jaws of death. She struggled as best she could despite the pain, but all of a sudden the wolf was no longer there. In its place was a pair of beautiful green eyes looking straight at her. Her heart fluttered. Logan. She wanted to call ou t to him but before she could the wolf holding her arm was dragging her further and further into the alley. She wondered why Logan was just standing there looking at her. She suddenly howled in pain as the wolf started to maul her. His claws were digging into her delicate flesh and she was losing blood fast. She could feel him bite her bones, crushing them and tearing up her skin. Lexi’s mind flashed to her parents, the picture in the police report. Would she die like them, mauledShow MoreRelatedAnalysis Of The Movie Wolf Of Wall Street Essay1942 Words   |  8 Pages Wolf of Wall Street Analysis The movie takes place in the early 1990’s, when Jordan Belfort partners with Donny Azoff to start his brokerage firm, Stratford-Oakmont. After the introduction given by Jordan, we follow his life from the time that he is 22 years old when he had just started on wall street, all the way to the time of his arrest. 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Advertising English Essay Example For Students

Advertising English Essay Advertising is an integral part of todays society. Australian advertisingsymbolises the way we act, the things we do and the attitudes and values weshare. We can tell that advertising symbolises the way we act by the factthat we actually purchase a product to narrow the differences between themodel and yourself. It is important that we realise who we want to be andwho we want to become. Advertising is run on the basis that it is either toinform people about hazards or changes in law and to try to get them topurchase it. Types of advertising include political, government, retail,financial, classified, manufacturers, recruitment and trade. All of theseads have a target audience. Without the target audience there would be nouse for the ad because there would be no customer to purchase the product. There are many patterns in the type of advertisement we see in Australia. The patterns are changed due to age, sex, location and interests. Forexample a Garnier ad would be targeted at teenage women and women. Thoughwomen are the target audience for shampoos, men still use them however itis stereotypical for women to be told to use shampoos and conditionerskeeping their hair in pristine condition. The models and celebrities used in hair and make-up ads are beautifuland/or famous. An example of this is Sarah Michelle Gellar in Maybeleneadvertisements. Women see Sarah Michelle Gellars beauty and decide theywould like to look like her. Evidentially they end up buying the product. Although there are models that show off ads, there are also many ads thatdont focus on a models or a celebrity. Government and Informative adsdont usually parade Nordic women or socially acceptable people. Insteadthey cut straight to the chase. Political ads usually show people beinghappy about voting for their party. This shows that parts of our societytake active interests in the nations business. It is very uncommon for minority groups to be used in advertising inAustralia. Ads showing minority groups are only shown when the minoritygroup is the target audience. An example of this is the aboriginal mandressed up as a woman advertising sheds for a company in the Kimberley. Because people laugh at it and aboriginal people can relate to it, theywould be the ones taking notice of the ad. Another place you would seeaboriginals are in land conservation and environmental ads. This is becausethe word aboriginal connotates a black man looking after the environmentfor most people. People trust native aboriginals with the environment andlisten to them. An example of this is the new ad by Ernie Dingo. He talksabout how land conservation and water management will help the environmentfor our future descendants. An ad like this is very good because it haschecked off all of the theories to successful advertising, Attention,Interests, Desire and Action (AIDA). Other various minority groups are occasionally shown in ads. They come intothe ad either to make the ad comical or to attract attention from theminority group. Some of the minority groups include aboriginals, uglypeople, fat people, sad people, injured people and poor people. Injuredpeople are often shown as a deterrent like road safety ads. The other usefor minority groups would be to promote something. The word nerdconnotates a brainy person that sits near a computer all day. When a nerdis shown advertising a computer with a smile on his face the targetaudience thinks that the computers must be good because a nerd has chosenthat particular brand of computer. This shows our attitude towards peopleand we are veryText in print and non-print ads is highly important to the success in thead. Short, quick and informative text in ads stay in peoples minds muchlonger and they find themselves reading the text without realising. As dosymbols, slogans, jingles, imperative words and neologisms. Symbols make upa very important part in advertising a product. Large companies pay largesums of money to patent a symbol. The LG company slogan is very clever inits simplicity and design. The symbol is a head that is winking but it iscomprised on the words L and G. When people see the symbol they know thereputation of LG and know the quality of the brand. This shows that ourattitude toward quality is very appreciative. Slogans and jingles also playa large part in manipulating an audience into purchasing a product. Anexample of this is the Pringle ad once you pop you cant stop. Therhyming words in the ad make it hard from people to get it out of theirminds. Because these slogans and jingles stay in peoples minds their ownbrains will tell them to buy the product. Neologisms and Imperatives addthe final touch to text in an advertisement. Neologisms are enough to makepeoples mouths water. With words such as crispy and minty it connotates theactual flavour of the particular food or feel ing. Imperatives like trynow, Limited time only, while it lasts, buy now etc, make people feel thatthey need to purchase the object while it is still there or they willbecome a less of a person in society. .u2cdff3fbdc300b5fd58b64c2fc8e9e9e , .u2cdff3fbdc300b5fd58b64c2fc8e9e9e .postImageUrl , .u2cdff3fbdc300b5fd58b64c2fc8e9e9e .centered-text-area { min-height: 80px; position: relative; } .u2cdff3fbdc300b5fd58b64c2fc8e9e9e , .u2cdff3fbdc300b5fd58b64c2fc8e9e9e:hover , .u2cdff3fbdc300b5fd58b64c2fc8e9e9e:visited , .u2cdff3fbdc300b5fd58b64c2fc8e9e9e:active { border:0!important; } .u2cdff3fbdc300b5fd58b64c2fc8e9e9e .clearfix:after { content: ""; display: table; clear: both; } .u2cdff3fbdc300b5fd58b64c2fc8e9e9e { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u2cdff3fbdc300b5fd58b64c2fc8e9e9e:active , .u2cdff3fbdc300b5fd58b64c2fc8e9e9e:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u2cdff3fbdc300b5fd58b64c2fc8e9e9e .centered-text-area { width: 100%; position: relative ; } .u2cdff3fbdc300b5fd58b64c2fc8e9e9e .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u2cdff3fbdc300b5fd58b64c2fc8e9e9e .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u2cdff3fbdc300b5fd58b64c2fc8e9e9e .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u2cdff3fbdc300b5fd58b64c2fc8e9e9e:hover .ctaButton { background-color: #34495E!important; } .u2cdff3fbdc300b5fd58b64c2fc8e9e9e .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u2cdff3fbdc300b5fd58b64c2fc8e9e9e .u2cdff3fbdc300b5fd58b64c2fc8e9e9e-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u2cdff3fbdc300b5fd58b64c2fc8e9e9e:after { content: ""; display: block; clear: both; } READ: Alcohol related crashes are the leading cause of EssayThe Australian dominant values and attitudes reflect around isolation,family, health and fitness and owning respectable possessions. The ads thatmost likely reflect all of Australian attitudes and values would have to bethe Holden commodore ad a few years ago. The ad showed a family going on aholiday across the Nullarbor in a brand new commodore. This representsisolation. It is a big value to most Australians living in the outback. Australia is a country renowned all around the world for its harsh isolatesoutback. The people in the commodore then arrive at a respectable house anda family of good looking parents and a cute little girl and boy get out. This symbolises the home ownership and health and fitness aspect of ourvalues. Finally the commodore represents the respectable possessions. Thisexample of a stereotypical family is something all people will aim for whenthey reach that particular time in their lives. All things in our unique Australian society can be shown though ouradvertisements. It is amazing how easily manipulated the human brain canbe. All Australians have their uniquely broad ideas of who they want tobecome. Racist and sexist approaches are seldom shown in ads because itgoes against the values of society and would be frowned upon by mostpeople. Human beings are very selfish and always want to be the bestindividuals we can. To be happy people want the best of everything. Advertisements show the dreams of the majority of people and set standardsfor people to look the best. The thing people have to realise is to behappy with who they are because advertisements sell dreams and not reality.

Mediation of Lady Gaga free essay sample

This essay unpacks the life of cultural objects based on Scott Lash and Celia Lury’s argument in the book of Global Culture Industry: The Mediation of Things. It draws on a set of case studies of a current phenomenon in music and culture, Lady Gaga, using the framework of The Global Culture Industry. Lady Gaga has only been in the spotlight since she first appeared on the television in 2008. Since then, she has been gaining her fans from all over the world. She is seen as a brand that has a global flow of movement. The theory is tested by being compared to other writers’ view on social objects, which includes Karin-Knorr Cetina (2002), Appandurai (1986), Deleuze (1994), World Industry of Information Culture industry was the term that first mentioned by Adorno and Horkheimer in Dialectic of Enlightment (1947), which has been the main reference to the critical theories. However, in the glorious era of ‘dot. We will write a custom essay sample on Mediation of Lady Gaga or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page com’ and social network such as blogs, twitter and facebook, the relevance of the theory is questioned by contemporary theorists. One of the critiques is elaborated in Lash and Lury’s Global Culture Industry: The Mediation of Things. The book is driven by the concern of the implementation of Adorno and Horkheimers’ Cultural Industries in the global media age. The main argument of the book is culture has taken on another different logic with the transition from culture industry, ‘that globalization has given culture industry a fundamentally different mode of operation’ (Lash Lury, 2007: 3). The view of the objects is rather metaphysical than dialectic. Since the emergence of information industry and the global communication system, culture has been seen in different perspectives. The second half of 1990’s was marked with the 2 boost of globalization of the information economy and the rise of cyberspace. The academic studies were followed by business and management analysis with the emphasis on non tangible assets. In this ‘regime of signification’, signalling ‘not simply a shift to a new mode of producing and circulating signs (cultural commoditization), but an alteration in the very relation between culture and economy’ (Wernick, 1991 in Grainge, 2008). In the nature of capitalism, brands were one of the non tangible assets that have been gaining attention from the world. As Lash and Urry pointed, culture industry is a branded circulating intellectual property (Lash Urry, Economies of Signs and Space, 1994). Moreover, the reproduction process is reassuring the sign value (Grainge, 2008). Lash and Lury argues that global culture industry of operates through brands. Anthropologically, culture is seen as ‘the signifying system through which necessarily (though among other means) a social order is communicated, reproduced, experienced, and explored’ (Williams, 1981: 13). Because culture is the main object of the study, signs and text are the analyzed rather than the objective process that is emphasized in ‘political economy’ (Du Gay, 1997; Hesmondaghl, 2007). There is also ‘culturalization of economic life,’ where ‘contemporary capitalism was marked by a degree of reflexive accumulation in economic life, that included a new degree of aesthetic reflexivity in the spheres of both production and consumption, as capitalist reflexivity in the spheres of both production and consumption, as capitalist production became increasingly design-intensive and oriented toward niche consumer markets’ (Lash and Urry, 1994 in Flew, 2005). In this sense, culture has been industrialized. Hesmondaghl (2008) defines culture industries as a sector or a linked production system which involved in the production of social meaning and deal primarily with industrial production and circulation of texts. The essay will focus on linking a music brand with performing arts, fashion, publishing, and video games. 3 In spite of its multi-billion dollars success, the singular form phrase ‘culture industry’ was first identified by German scholars Adorno and Horkheimer in Dialectic of Enlightment (1947) to show the negative side of the information manufacture. The book probes how the culture industry manipulates its consumers through mass media for ‘the interest of financial profitability of corporate oligopoly’ (Lash Lury, 2007: 3). Human beings become dependent on it and the industry legitimates the power of cultural producer or elitists (Adorno, 1997). At the time the book was written, culture was still in the realm of superstructure, where domination and resistance through ideology, symbols, and representation. Nevertheless, Lash and Lury believe that some of the process no longer exists with the situation in global culture industry era. Images and other cultural forms are thingified, not in the superstructure, but in the materiality of infrastructure, dominating ‘both the economy and experience in everyday life’. Instead of circulating as identical objects, cultural entities have the dynamics of their own and move as if it is by accident and unintended. The form of the objects is not static as an atom and determined by the intentions of their producers (top down). Biopower in Cultural Entities One of the arguments of Global Culture Industry is that the industry is animated (Lash and Lury, 2007: 21). In the logic of ‘singularities’, cultural objects ‘move and changed through transposition and translation, transformation and transmogrification’ (Lash Lury, 2007: 5). Translation is ‘an organizational process in which the product moves in a linear, sequential fashion as a short story to a book, a film, video television and so on’ (Lash Lury, 2007: 25). Authorship, creativity, regional or national culture are understood as the result of integrity of an artistic work related to others. By transposition, Lash and Lury mean the intensive features of the 4 object that enables movement, rather than any kind of aesthetic integrity. The movement of transposition is characterized by multiplicity, intensive, associate series of events, merchandise promotion, and publicity. Organized in part by the laws of trademark and passing off, transposition defined by territorial boundaries from multiple origins. It also can be seen as a zone of identity in order to sell products (Becket, 1998, in Lash and Lury, 2007:25). Meanwhile, is an activity to change into a different shape or form, especially one that is fantastic or bizarre (Menheim, 2010). The objects are viewed as ‘a product of normative or instrumental rational action (mediated by a set of internalized habits and expectations) in the first, and as an outcome of social interaction in the latter’ (Leschziner, 2005). Cultural objects are seen as monads that live in different forms by a trace with a memory complex. Unlike commodities by Adorno and Horkheimer that are seen as atoms, monads are self-energizing have their own lives. They are living in microstructures. This culture of circulation is not anymore determined by the producers as Adorno and Horkheimer stated. The value is added in this movement or self-modification throughout the range of spaces. Therefore, the indeterminacy process of production and consumption are the matter of the ‘construction of difference’. This logic of difference is where brand, one of the cultural objects (Lury, 2004), work, and circulate. The embedding of social meanings and relations in physical world constitutes a social ‘morphology’, a spacial arrangement of material objects that constitutes the landscapes, settlements, and technologies to which human actions relate. This book’s argument is in the flow of the objects’ movements, media becomes things, and things can transform into media. Argument is nuanced chapters ma pping the biographies of seven ‘cultural objects’, which are four media that becomes things, such as Toy Story and 5 Wallace and Gromit; and three things that become media: Euro ‘96, Nike, Swatch. The analysis was drawn from a number of different points of view, which are anthropology, science and technology, media theory, biography, multiplicity, and economic sociology. The theory has a number of influences, including Appadurai on how it traces the objects by following them; Deleuze in relating the objects to one another; and Karinn Knorr Catina in the logic of the space of the objects, in microstructures or networks. Brand Has Risen As mentioned before, brand plays a key role in today’s global culture industry. ‘Culture is driven by imagination’ (Tuan, 1998). Within the growing critical literature on brands, the cultural work of logos, signs and trademarks has often been read symptomatically, an aspect of the thickening hegemony of global capitalism and of the social disjunction represented in the production and promotion of goods. Brands have lives of its own that actualize themselves. It flows from brand’s memory, that is ‘brand identity’. A range of series of goods or commodity generates a brand with diversification of products. According to Lash and Lury, Brand experience can be seen as a feeling of intensity. Objects are not always something that can be seen or touch physically. Unlike most natural scientists, social scientists including Lash and Lury refer objects as something that is in the imaginary world. In the new economy, brands are living on the thin air (Leadbeater, 1999; Simmel, 1978) sees ‘economic objects’ that pure desire and immediate enjoyment. Branding has been linked to structural changes, or intensifications, in the basis of consumer culture, which is especially associated with the move from Fordism to post-Fordism in the last third of the twentieth century. As a critical label, Fordism describes a mode of production based around the factory, the rationalization of labour and the standardization of goods (Grainge, 2008). 6 Although both can be sources of power, Lash and Lury differentiate the brand and commodity. Commodities works through a mechanistic principle of identity, brands through the animated production of difference’ (Fraser et al, in Lash and Lury, 2007: 7). However, Appandurai defines commodity ‘as a situation in social life of any ‘thing’ be defined as the situation in which its exchangeability (past, present, or future) for some other thing is its socially relevant feature’ (Appadurai, 1986). The summary is shown on the table below. Variable Logic Exchange value Production role Valued by History Set of relations with others Life Quantity Determinancy Production Works through Consumption Commodity Identity Money Produced as products Exchange for quantity, use value for quality No No Dead Singular Determined Labour-intensive Reproduction of identity Generalized Fordist consumption Use value: concrete singularity, qualities of product Exchange value (as commodity): homogeneity Brand Difference Not exchanged except for capital markets Source of production Expected future profits and difference Yes Yes Alive Series of goods Indetermined Design-intensive More production difference Specialized consumption Values Sign value: qualities of experience Table 1 Commodity versus Brand Methodology This essay uses the method of Global Culture Industry by following the life of Lady Gaga 7 with a biography. Lady Gaga is seen as a thing, ‘the internal organization of the object itself’ (Lash and Lury, 2007). Although she is a living human, she is a singular, manufactured brand (Gaffney, 2010) which makes her a cultural object. She is no just a pop music singer, she other values behind her. There are several people who shape Lady Gaga, including herself who has a major influence on the brand. The objects are followed by getting as much of information in many places and time from as many points of view as possible (Lash and Lury, 2007: 20). Literature reviews from various articles and research about Lady Gaga are used to reach comprehensiveness and the richness of data; and also to show intersubjectivity. In the book, Lash and Lury uses interviews to support the biography. This essay uses the interviews that are done in the multiple sources. In this biography, writer also incorporates other theorists’ views to the objects in the biography in order to test Lash and Lury’s method on the specific situations, time, and space. This essay will look at the objects with theoretical approaches by Karin-Knorr Cetina, Appandurai, Deleuze, and Heath and Potter; and Beer and Burrows. The biography is structured in three parts: the most recent development which the object enters to a flow; the structure of the industry; the beginning of the cultural object as a thing. Biography: From Germanotta to Gaga ‘I am my music; I am my art; I am my creativity’ (Gaga in Robinson, 2010) ‘She isnt a pop act, she is a performance artist. She herself is the art. She is the sculpture’. Lauper, 2010). Lady Gaga is one of the most successful acts in popular music industry in the last decade. ‘There is no denying it. Lady Gaga is one huge global brand. In fact, the money-making machine that is Lady Gaga is predicted to earn more than $100 million in 2011’ (Daily Mail, 2011). She has 8 been gaining her fans from all over the world, whom she refers as ‘little monsters’. With combining performance, she and her image have been shifting in different kinds of movement, adding her values in the eyes of the world.

Journey of the Magi Essays

Journey of the Magi Essays Journey of the Magi Essay Journey of the Magi Essay Literary Criticism of ‘Journey of the Magi’ The ‘Journey of the Magi’ is a poem written by T. S. Eliot in 1927. The inspiration for this poem is adapted from the story of the Three Magi who traveled from far away to pay homage to birth of Christ under the guidance of a star. The theme revolves around their search of faith narrated in the point of view of the Magi. The poem has no set rhyme or meter and is constructed in free verse. Unsatisfied and regretful with the times that they have wasted on worldly pleasures of â€Å"the summer palace on slopes, the terraces, and the silken girls bringing sherbet† that they enjoyed, the Magi left their lives of material comforts in order to pursue a quest for spiritual enlightment. Alliteration is used to produce a smooth flowing effect for the readers to feel the attributed sense of this comfort. Throughout the first stanza of the poem, the Magi describe the initial journey to be arduous as they have to face â€Å"the ways deep and the weather sharp† in â€Å"the very dead of winter† (lines 4 and 5). The depiction of this season that is often featured in many works of literature is used as a metaphor to represent death, the loss of hope and adverse times. Comparably, the imagery of the season’s characteristic bitter coldness featured in the poem embodies the sense of hardship that the Magi have to undertake to reach their destination. In the sixth and seventh lines, the â€Å"galled, sore-footed, refractory† state of the camels, too tired that they are â€Å"lying down in the melting snow† further reinforces the image that travel during this â€Å"worst time of the year† can be exhausting. The setting of the poem in winter may also allude to the time of the year when Jesus was born. However, it isn’t just the weather that is making the journey difficult. As the Magi strive through their journey, they encountered a lot of corruption in places where they passed by. From lines 12 to 16, the Magi narrate the dearth and poverty of the settlements they visited, and the depravity and the immorality of their inhabitants. Anaphora of the word ‘and’ is used at the start of each of these lines. Not only that it gives the description a cohesive flow by the repetition of the same starting word, the use of this technique is effective in building up the sense of burden that the Magi have to endure during their contact with those places. Moreover, they have to contend with the â€Å"voices† echoing in their ears â€Å"saying that this was all folly† (lines 19 and 20). These are the voices that come from their own desires, tempting them to abandon their journey and revert back to debauchery. In the second stanza, the setting shifts from an initial journey traveling through harsh conditions to arriving at a more pleasant environment as they â€Å"came down to a temperate valley†. Their arrival at dawn is metaphor symbolizing the start of new beginnings for the Magi. They have reached to a place where they no longer have to suffer the bitterness of the icy terrains that they have traversed, and this signifies that they have finally overcome their adversities and possibly, the penance that they had to pay to recompense for their past sins. The water mill â€Å"beating the darkness† depicts the dispelling of darkness from the â€Å"running streams†, which implicates the timeless flow of that happening. Out of the numerous symbolist elements that comprise of this poem, the â€Å"three trees on the low sky† in line 24 is one of the most significant that it alludes to the three crosses of the Crucifixion and implies that the heavens have been lowered closer to earth to receive Christ who was killed on one of them. The symbolism of the â€Å"old white horse† that â€Å"galloped away into the meadow† might represent something that waned in the advent of Christianity (possibly paganism). The symbolism in line 27 â€Å"six hands at an open door dicing for pieces of silver† denotes to Judas, one of his disciples who betrayed Jesus for money. The final two lines of the stanza, â€Å"And arrived at evening, not a moment too soon, finding the place; it was (you may say) satisfactory† expresses the Magi’s reflection that they have on the change in faith as an understatement, probably realizing that God has already preordained them all along to turn to His path one day. The last stanza describes the Magi’s reflection on the enlightment that they have attained, but seem to be confused in trying to see the significance of the event. Their doubts are manifested in lines 33-38 â€Å"but set down, this set down, this: were we led all that way for birth or death? There was a birth, certainly, we had evidence and no doubt. I had seen birth and death, but had thought they were different†. The repetition of the words ‘set down’, ‘birth’ and ‘death’ in these lines indicates they are baffled and emphasizes the feelings of hesitations that are ruminating in their thoughts. Furthermore, the paradox in lines 28-39 â€Å"this birth was hard and bitter agony for us, like death, our death† describes the psychological change the Magi underwent from their conversion, expressing that the decision to renew and embrace a new faith is just as than renouncing their old ones. The final four lines of the poem concludes that they are â€Å" no longer at ease† â€Å"with an alien people clutching their gods†, conveying that the Magi no longer fit in with the â€Å"old dispensation† of their own people when they finally return from their journey. The last line of the poem, â€Å"I should be glad of another death† expresses their understanding that they have to leave this world in order to be reborn in their new faith again Although its exact meaning remains vague, a likely interpretation of this poem might account of Eliot’s journey on his conversion to Christianity. It is also possible to speculate that this poem accounts a description of his own real-life journey in his quest for faith. The reflection of Eliot’s spiritual journey is described figuratively in physical aspects to evoke a more tangible perspective to the reader on how the journey was like for Eliot to achieve spiritual enlightment.

Toyota Cars Recalls Research Paper Example | Topics and Well Written Essays - 2500 words

Toyota Cars Recalls - Research Paper Example Finally, the purpose of this academic paper is to possibly recommend applicable solutions based on conflict management principles that would address the identified problems encountered by the Toyota Motor Corp. To further understand, how and why Toyota ended up with the Toyota Recall incident it is necessary to have knowledge on the background of the company and how it operates in the field of the automobile manufacturing industry. Toyota Motor Company Early Beginnings In 1933, Toyota did not out rightly start as an automobile manufacturing company. Actually, the family that started it was initially engaged with just spinning and weaving textiles and looms under Toyoda Automatic Loom Works, a small division, which was under the direction of Kiichiro Toyoda. It started to manufacture vehicles when the Japanese government at war with China encouraged this company to manufacture the needed domestic vehicles. (â€Å"History of Toyota†, 2011). A Window to Toyota Motor Corporation ( TMC) Today The CEO Who is running Toyota Motor Corporation today? â€Å"Akio Toyoda is the present President and Representative Director of the company. He is the grandson of the late Kaiichiro Toyoda, who operated the Toyoda Automatic Loom Works, a company devoted to manufacture automobiles during the 1930’s. Akio Toyoda was elected to the said positions in 2009 replacing Katsuaki Watanabe.† (â€Å"The President†,2011) TMC’s Domain â€Å"TMC’s domain belongs to the automotive industry and thus, its main product is the automobile. However, TMC today has expanded to other non-automotive business activities to include financial service business segments† (â€Å"Toyota Company Overview†, n.d.).Their stakeholders include: customers, business partners (dealers and suppliers), investors, consumers, nongovernmental organisations government, community, stockholders. Vision & Philosophy â€Å"Since its foundation, Toyota has been using the Gu iding Principle which says: to produce reliable vehicles and sustainable development of society by employing innovative and high quality products and services† (â€Å"Vision & Philosophy, 2011). Guiding Principle: â€Å"TMC’s guiding principle is to produce reliable vehicles and sustainable development of society by employing innovative and high quality products and services† (â€Å"Guiding Principle†, 2011). Toyota Global Vision 2020 â€Å"Toyota promotes efforts towards finding balance between the cycles of nature and the cycles of industry. Toyota commits to the ideals being pursued for People, Society and the Global Environment through the combined energy of people and technology† (â€Å"Toyota Global Vision 2020†, 2011). Employment: 320, 590 (Total in affiliated companies) Date Founded: August 28, 1937 Capital: 397.05 billion yen (as of March 31, 2010) Note: Information current as of June 2010. The number of employees includes those dis patched from other companies as of March 31, 2010 (â€Å"Company Profile†, 2011) TMC’s Organizational Structure â€Å"We have a fairly flat organization, which allows for ease of communications and flexibility. Within departments the organization divides into groups and teams, this team structure is a key element of the Company’s effectiveness.†

A weapons and explosives (ammunition, TNT) burial ground was recently Essay

A weapons and explosives (ammunition, TNT) burial ground was recently unearthed and you have been called in as an expert in bior - Essay Example This would also prevent the unrestricted removal of the explosives and weapons. In addition, this would also prevent accidental release of TNT to water sources. A perimeter fence should be erected on the burial ground, and before the process of bioremediation commences, a mines expert should conduct a risk assessment of the area. This is to ensure that personnel are protected from the random detonation of explosives especially cluster bombs. Protection material should be issued to personnel as TNT is toxic and carcinogenic. The nitroaromatic compounds will be degraded at field scale by employing in situ bioremediation strategies. The microbial cultures for aerobic respiration will comprise of Pseudomonas spp. The rate of the bioremediation process will be increased via biostimulation and this entails the incorporation of nutrient media to boost process efficiency and activity of monooxygenase enzyme. These bacteria will utilize TNT as a nitrogen source by removing it in nitrite form from TNT under aerobic conditions. Further aerobic respiration will result in the reduction of nitrite to ammonium. However other by-products such as nitroso and hydroxylamine intermediates will be formed. After aerobic degradation, anaerobic degradation will follow using Clostridium spp . The Clostridium spp will fully degrade the toxic intermediates. The fermentable sugar that will be supplemented will be molasses and it will provide energy for the Clostridium spp to degrade the nitrate contaminants. After the bioremediation process, follow up tests should be conducted on the soil to check for the presence of nitroaromatic compounds. Routine monitoring should entail collection of soil samples to test nitroaromatic contaminants using high power liquid chromatography (HPLC). Question 2 The process of generating biofuels using algae is viable. Genetic modification can be incorporated to produce recombinant high oil yielding Spirulina alga strains. The alga strains will be cultivated in a pond using starter culture of superior genetically modified alga strains. The special ponds are open paddle wheel mixed ponds. These ponds are low cost and have a low parasitic energy demand (Lundquist, et al 3). The biomass will be harvested via bioflocculation followed by the process of sedimentation. The formed algae slurry will be thickened via gravity sedimentation. Drying of the biomass will be done using solar heat. A hexane extraction plant will be set up to extract oils from the dry algae biomass. The plant must have a large capacity that is approximately 4000 metric tons per day for favorable economies of scale. After extraction of oil from the alga biomass, the residual biomass is recycled back in the pond. It is re-wetted before the process of anaerobic digestion in order to yield biogas and flue gas. Biogas is used to generate electricity that is used in the pond. Flue gas is a source of carbon dioxide in the pond. Other digester residues comprise of carbon and nut rients and they are also recycled in the pond for alga propagation. The nutrients comprise of the much needed phosphorus and nitrogen that is essential for algal growth. Recycling of these crucial nutrients provides a major cost cutting measure. Question 3 The chapter, E.coli genesis from the book Microcosm: E. coli and the New Science of